Stories from a guitarist's notebook

  1. In with the New . . . .

    a guitarist's notebook &bull Jan 14, 2010

    The move to the new website and the lack of further development of iBlog software leads to a poor prognosis for this Blog. Full Story »

  2. New and Old

    a guitarist's notebook &bull Dec 14, 2009

    Cleaning up Full Story »

  3. voice leading turnarounds - III

    a guitarist's notebook &bull Oct 12, 2009

    The "Woody'n You" Sequence Full Story »

  4. Chromatic Tritones; voice leading turnarounds - II

    a guitarist's notebook &bull Sep 22, 2009

    The Dominant Seventh SequenceHere is a set of drills applicable to songs such as Nice Work if You Can Get It (George Gershwin, 1937) or the bridge to Jordu (Duke Jordan, 1954) following this basic harmonic outline: ? Note that… Full Story »

  5. voice leading turnarounds - I

    a guitarist's notebook &bull Sep 13, 2009

    The Night and Day SequenceHere is a set of solutions for voice leading through a common chord sequence - probably the most famous example of which being the last eight bars of the Cole Porter tune Night and Day. The… Full Story »


  6. Diminished Scale Voice Leading

    a guitarist's notebook &bull Dec 22, 2008

    Upper partial triads of the tonic and dominant diminished scales with resolutions to the tonic chord. Specifically, voice leading to three note quartal fragments of the tonic chord. Full Story »

  7. The Diminished Scale - Part One

    a guitarist's notebook &bull Dec 19, 2008

    Chords from the Octatonic Symmetric Scale Full Story »

  8. The Melodic Minor Pentatonic Scale

    a guitarist's notebook &bull Dec 1, 2008

    Functional applications for this pentatonic scale: C - D - Eb - G - A - C Full Story »

  9. Wes Montgomery - part three

    a guitarist's notebook &bull Mar 19, 2008

    If I Should Lose You Full Story »



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